Getting Out
"The problem with this fuckin' job," says Helen, bending over and by a feat of astounding flexibility, examining her own anus for the requisite pre-stage 'booty-check', "Is that it's all too easy to get into, but it's fuckin' difficult to get out."
Roxy's leaving. The House Mom. She's been here, in this club, for close on ten years. Before she was a House Mom she was a stripper. Leaving the stripping industry is enormous. It's akin to some kind of cruel and unnecessary social ritual, like female circumcision, which seems a good idea at the time. Roxy cries all night.
"You don't understand!" she wails, great stringy globs of spittle and tears dripping obstinately onto her pink velour tracksuit. "This is my home! These girls are my girls! We have real friendships!". She's leaving to do a day job. Keep a boyfriend. Get a decent night's sleep. A wage you can rely on. She drinks Pink Zinfandel all evening and weeps onto Helen, and then the Managers call her onstage. For a brief and worrying moment she stands in the flashing lights, and there's silence. No one acknowledges her, no one cheers, not one single girl looks up from a table dance to wave goodbye. And then one by one the girls detach themselves from the clients and stream up to the front of the stage and engulf her in hugs, tucking 20 dollar bills into her impressive cleavage as she cries and cries and cries. And all the men sit there, slightly confused, cut out, not used to witnessing this in a club, whatever it is - emotion, friendship, sadness. Escape.
A southern girl sits in a drunken heap by the bar.
"I thought you left," says another girl disinterestedly.
"Ah di-yad. But Ah came back. Ah broke up with ma man. He called me a drunken Ho."
Helen looks at her, and shakes her head. "So easy to get in, so hard to get out."
We order some drinks and sit down, and watch the girls flutter back to their business, leaving Roxy alone and tiny and wrinkled onstage, her huge breasts jutting out like overripe melons, wrinkled bills dripping from her clothes.
"You know," says Helen, and grins widely. "I was talking to my therapist about this the other day, and I kind of noticed this recurrent theme in my life. Once I got paid to be molested in Smurfs. And now I get twenty dollar bills instead. Even if I leave, I ain't leavin'. And neither is she"
She gestures to Roxy, burbling loudly in the corner and winks at me, and it's a good night, even if we didn't get paid in Smurfs.
Or twenty dollar bills.
Roxy's leaving. The House Mom. She's been here, in this club, for close on ten years. Before she was a House Mom she was a stripper. Leaving the stripping industry is enormous. It's akin to some kind of cruel and unnecessary social ritual, like female circumcision, which seems a good idea at the time. Roxy cries all night.
"You don't understand!" she wails, great stringy globs of spittle and tears dripping obstinately onto her pink velour tracksuit. "This is my home! These girls are my girls! We have real friendships!". She's leaving to do a day job. Keep a boyfriend. Get a decent night's sleep. A wage you can rely on. She drinks Pink Zinfandel all evening and weeps onto Helen, and then the Managers call her onstage. For a brief and worrying moment she stands in the flashing lights, and there's silence. No one acknowledges her, no one cheers, not one single girl looks up from a table dance to wave goodbye. And then one by one the girls detach themselves from the clients and stream up to the front of the stage and engulf her in hugs, tucking 20 dollar bills into her impressive cleavage as she cries and cries and cries. And all the men sit there, slightly confused, cut out, not used to witnessing this in a club, whatever it is - emotion, friendship, sadness. Escape.
A southern girl sits in a drunken heap by the bar.
"I thought you left," says another girl disinterestedly.
"Ah di-yad. But Ah came back. Ah broke up with ma man. He called me a drunken Ho."
Helen looks at her, and shakes her head. "So easy to get in, so hard to get out."
We order some drinks and sit down, and watch the girls flutter back to their business, leaving Roxy alone and tiny and wrinkled onstage, her huge breasts jutting out like overripe melons, wrinkled bills dripping from her clothes.
"You know," says Helen, and grins widely. "I was talking to my therapist about this the other day, and I kind of noticed this recurrent theme in my life. Once I got paid to be molested in Smurfs. And now I get twenty dollar bills instead. Even if I leave, I ain't leavin'. And neither is she"
She gestures to Roxy, burbling loudly in the corner and winks at me, and it's a good night, even if we didn't get paid in Smurfs.
Or twenty dollar bills.


